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Catch Me if You Can Funny

2002 American picture by Steven Spielberg

Grab Me If You lot Tin
Catch Me If You Can 2002 movie.jpg

Theatrical release poster

Directed by Steven Spielberg
Screenplay by Jeff Nathanson
Based on Catch Me If You lot Can
by Frank Abagnale Jr.
Stan Redding
Produced past
  • Steven Spielberg
  • Walter F. Parkes
Starring
  • Leonardo DiCaprio
  • Tom Hanks
  • Christopher Walken
  • Martin Sheen
  • Nathalie Baye
Cinematography Janusz Kamiński
Edited past Michael Kahn
Music by John Williams

Production
companies

  • Amblin Entertainment
  • DreamWorks Pictures
  • Parkes/MacDonald Productions
  • Kemp Visitor
  • Splendid Pictures
Distributed by DreamWorks Pictures

Release dates

  • December 18, 2002 (2002-12-18) (Westwood)
  • December 25, 2002 (2002-12-25) (U.s.a.)

Running time

141 minutes[1]
State United States
Linguistic communication English
Budget $52 million[ii]
Box role $352.1 million[2]

Take hold of Me If Yous Tin is a 2002 American biographical crime moving-picture show directed and produced by Steven Spielberg and starring Leonardo DiCaprio and Tom Hanks with Christopher Walken, Martin Sheen and Nathalie Baye in supporting roles. The screenplay by Jeff Nathanson is based on the autobiography of Frank Abagnale, who allegedly, before his 19th birthday, successfully performed cons worth millions of dollars by posing as a Pan American Earth Airways airplane pilot, a Georgia doctor, and a Louisiana parish prosecutor. The truth of his story is questionable.[3] [iv] [5]

Development for the pic began in 1980 merely dragged on until 1997, when Spielberg's DreamWorks bought the picture show rights to Abagnale's 1980 book of the same name. David Fincher, Gore Verbinski, Lasse Hallström, Miloš Forman, and Cameron Crowe were all considered to direct the film before Spielberg decided to straight it himself. Filming took place from Feb to May 2002.

The pic opened on Dec 25, 2002, to critical and commercial success. At the 75th University Awards, Christopher Walken and John Williams were nominated for Best Supporting Actor and Best Original Score,[6] respectively.

Plot [edit]

In 1963, teenager Frank William Abagnale Jr. lives in New Rochelle, New York with his male parent Frank Abagnale Sr. and his French mother Paula. During his youth, he witnesses his father's many techniques for conning people. When Frank Sr. encounters taxation issues with the Internal Acquirement Service, the family is forced to move from their large dwelling house to a small apartment.

One day, Frank discovers that his mother is having an affair with his father's friend Jack Barnes. When his parents divorce, Frank runs away. Needing money, he turns to confidence scams to survive and his cons grow bolder. He impersonates a Pan Am airplane pilot and forges the airline's payroll checks. Presently, his forgeries are worth millions of dollars.

News of the crimes reach the Federal Bureau of Investigation (FBI) and agent Carl Hanratty begins tracking Frank. Carl finds him at a hotel, but Frank tricks Carl into assertive he is Hush-hush Service agent Barry Allen. He escapes earlier Carl realizes that he was fooled.

Frank begins to impersonate a doctor. As Dr. Frank Conners, he falls in love with Brenda, a naive young hospital worker. He asks her attorney father for her hand and also wants his help with arranging to accept the Louisiana Land Bar exam, which Frank passes. Carl tracks Frank to his and Brenda'southward engagement political party, but Frank escapes through a bedchamber window.

Earlier escaping, Frank asks Brenda to come across him at Miami International Airport two days subsequently. In that location, he sees her, but likewise spots plainclothes agents and realizes she has given him up, then drives away. Re-bold his airplane pilot identity, he stages a faux recruiting drive for stewardesses at a local college. Surrounded by eight women equally stewardesses, he conceals himself from Carl and the other agents walking through, and escapes on a flight to Adolfo Suárez Madrid–Barajas Airport, Spain.

In 1967, Carl tracks downwards Frank in his mother'due south hometown of Montrichard, French republic. He is incarcerated in a French prison in Marseille where he becomes very ill due to its poor conditions. Carl takes Frank on a flight dorsum to the United States. As they make their arroyo, he informs him that his father has died. Grief-stricken, Frank escapes from the plane and reaches the firm of his now re-married female parent who has a daughter. Frank surrenders to Carl and is sentenced to 12 years in a maximum-security prison.

Carl occasionally visits Frank. During one visit, he shows him a fraud check from a case he is working on. Frank immediately figures out that the bank teller was involved in the fraud. Impressed, Carl convinces the FBI to allow him to serve the residue of his judgement working for the FBI bank fraud unit of measurement. Frank agrees but soon grows restless of the tedious office work.

Ane weekend, Frank prepares to impersonate a pilot over again and is intercepted by Carl, who allows him to carry on his human action, assuring him that no one is chasing him. Every bit Frank returns to work and discusses another fraud case with Carl, the post-script indicates that Frank has lived for 26 years in the Midwestern Us with his wife, with whom he has had iii sons, remains friends with Carl, and has congenital a successful living every bit ane of the world's leading experts on bank fraud and forgery.

Bandage [edit]

  • Leonardo DiCaprio every bit Frank Abagnale, a teenager who turned into a con creative person.
  • Tom Hanks as Carl Hanratty, an FBI agent who is based on Joseph Shea.
  • Christopher Walken as Frank Abagnale Sr., the begetter of Frank Abagnale.
  • Martin Sheen every bit Roger Strong, an chaser.
  • Nathalie Baye equally Paula Abagnale, the French mother of Frank.
  • Amy Adams as Brenda Strong, a young infirmary worker ("candy striper") and the girl of Roger.
  • James Brolin as Jack Barnes, the friend of Frank Abagnale Sr. who had an matter with Paula.
  • Nancy Lenehan as Carol Stiff, the mother of Brenda.
  • Candice Azzara every bit Darcy
  • Malachi Throne as Abe Penner
  • Alfred Dennis as Ira Penner
  • Amy Acker every bit Miggy Acker, 1 of the viii women that Frank recruits to be his stewardesses.
  • Guy Thauvette as Warden Garren, the prison warden of the unnamed Marseille prison house.
  • Maggie Mellin as the unnamed French teacher who Frank impersonates.
  • Thomas Kopache as Principal Evans, the principal of Frank'south schoolhouse who busts him for impersonating a substitute teacher.
  • James Morrison as Pilot
  • Robert Symonds as Mr. Rosen
  • Dave Hager every bit Judge
  • Jasmine Jessica Anthony as the unnamed daughter of Paula and Jack

Brian Howe, Frank John Hughes and Chris Ellis portray FBI agents Earl Amdursky, Tom Play a trick on, and Special Agent Witkins, respectively. John Finn portrays FBI Banana Managing director Marsh. Jennifer Garner cameos as a call daughter named Cheryl Ann. Ellen Pompeo, Elizabeth Banks, and Kaitlin Doubleday accept supporting roles every bit Marci, Lucy, and Joanna. The real Frank Abagnale appears in a cameo equally a French law officer arresting his onscreen analogue.[7]

Product [edit]

Development [edit]

Frank Abagnale sold the moving picture rights to his autobiography in 1980.[8] According to Abagnale, producers Norman Lear and Bud Yorkin purchased the film rights later on seeing him on The Tonight Evidence with Johnny Carson. Two years later, they sold the rights to Columbia Pictures, who in plough sold the rights to producer Hall Bartlett. Bartlett and concern partner Michael J. Lasky hired Steven Kunes to write the screenplay, just Bartlett died before the project establish a benefactor.[9] The rights were then sold to Hollywood Pictures, a division of Disney, and when the project went into turnaround, the rights were once more sold to Bungalow 78 Productions, a division of TriStar Pictures. From there, the projection was presented to Steven Spielberg at DreamWorks Pictures.[10] According to Daily Multifariousness, executive producer Michel Shane purchased the film rights in 1990[eleven] for Paramount Pictures.[12] By December 1997, Barry Kemp purchased the pic rights from Shane, bringing the project to DreamWorks, with Jeff Nathanson writing the script.[13] By April 2000, David Fincher was attached to direct over the course of a few months, but dropped out in favor of Panic Room. In July 2000, Leonardo DiCaprio had entered discussions to star, with Gore Verbinski to direct.[14] [15] Spielberg signed on every bit producer, and filming was prepare to brainstorm in March 2001.[sixteen] [17]

Casting [edit]

Verbinski cast James Gandolfini as Carl Hanratty, Ed Harris as Frank Abagnale, Sr., and Chloë Sevigny as Brenda Strong.[xviii] [19] Verbinski dropped out considering of DiCaprio'south commitment on Gangs of New York.[20] Lasse Hallström was in negotiations to direct by May 2001, but dropped out in July 2001. At this stage, Harris and Sevigny left the film, but Gandolfini was however attached.[19] [21] Spielberg, co-founder of DreamWorks, offered the job of manager to Miloš Forman, and considered hiring Cameron Crowe. During this negotiation period, Spielberg began to consider directing the film himself, eventually dropping projects such as Big Fish and Memoirs of a Geisha.[17] [22] Spielberg officially committed to directing in August 2001.[11] That same month, Tom Hanks was bandage to replace Gandolfini, who had exited due to scheduling conflicts with The Sopranos.[23]

The search for Sevigny's replacement every bit Brenda Strong lasted months, only Amy Adams was eventually cast. Spielberg "loved" her tape, and producer Walter F. Parkes commented that she was "as fresh and honest every bit anyone we'd seen," which was an important chemical element in the role. Christopher Walken was bandage as Frank Abagnale, Sr. following Parkes' suggestion. Martin Sheen played Roger Strong, as he had "intimidating presence". Spielberg wanted a French actress to portray Paula Abagnale to stay true to the facts. He asked for the help of Brian De Palma, who was living in Paris, and he did tests with several actresses such as Nathalie Baye. Spielberg had seen Jennifer Garner on Alias and offered her a modest role in the film.[24]

Filming [edit]

Filming was scheduled to begin in January 2002,[11] but was pushed to February 7 in Los Angeles, California.[25] Locations included Burbank, Downey, New York City, LA/Ontario International Airport (which doubled for Miami International Airport), Quebec City and Montreal.[26] The film was shot in 147 locations in just 52 days. DiCaprio reflected, "Scenes that we thought would take three days took an afternoon."[27] Filming ran from April 25–30 on Park Avenue, but outside the Waldorf-Astoria Hotel. Product moved to Orange, New Jersey and returned to Brooklyn for depository financial institution and courthouse scenes. Shooting also took identify at the TWA Flight Middle at John F. Kennedy International Airport.[28] Quebec Metropolis was chosen for its European character and French feel. Place Royale, inside Old Quebec, stands in for Montrichard, and the church in the background of the arrest scene is Notre-Dame-des-Victoires.[29] Filming ended on May 12 in Montreal.[30]

Music [edit]

The pic'due south soundtrack was released on December ten, 2002 past DreamWorks Records. The original score was equanimous and conducted past John Williams.

Historical accurateness [edit]

Abagnale had little involvement with the film, but believed Spielberg was the only filmmaker who "could practise this flick justice," despite the various changes from existent-life events.[31] In November 2001, Abagnale said:

I am not a consultant on the film. I've never met nor spoken to Steven Spielberg and I have not read the script. I adopt non to. I understand that they now portray my father in a ameliorate light, as he really was. Steven Spielberg has told the screenplay writer (Jeff Nathanson) that he wants consummate accuracy in the relationships and actual scams that I perpetrated. I hope in the end the movie will be entertaining, exciting, funny and bring domicile an of import message about family unit, childhood and divorce.[31]

The real Abagnale never saw his father again afterward he ran abroad from home, merely Spielberg "wanted to continue to have that connection where Frank kept trying to please his begetter; past making him proud of him; by seeing him in the uniform, the Pan-American uniform."[32]

In a presentation for "Talks at Google" in Nov 2017, Abagnale commented extensively well-nigh the accuracy of Spielberg'south motion picture:

I've simply seen the movie twice. And so when the media asked me what I thought about the film, and what was correct and what was wrong, I said: First of all I have two brothers and a sister; he portrayed me as an only child. In real life, my female parent never remarried; there'south a scene in the movie where she'due south remarried, and has a little girl. That didn't actually happen. In existent life I never saw my father after I ran away; in the moving-picture show they go along having him come back to Christopher Walken in the moving picture. That didn't really happen. ... I escaped off the aircraft through the kitchen galley where they bring the food and stuff onto the plane; and in that location they had me escape through the toilet. ... I idea he stayed very shut to the story, merely pretty much all of that. He was very concerned about existence accurate, showtime of all because it was the outset time he fabricated a movie about a real person living. Second the Bureau had an information officer on the set for all the shooting of the unabridged motion picture to make sure that what he said nearly the FBI ... was accurate. ... And so of course, as he after said, 'I really got most of my information from those 3 retired agents.' ... And then I thought he did a good job of staying very, very authentic at the movie.[33]

In addition, the real name of the bodily FBI agent who Abagnale alleges tracked and after worked with him was Joseph Shea; Abagnale has stated that because Shea did non want his name to be used in the film, the character was renamed as Carl and given the surname Hanratty, based on a football actor of the same name.[34] [35]

Despite his merits that Spielberg "stayed very close to the story", records show Abagnale was in the Dandy Meadow Prison in Comstock, New York between the ages of 17 and 20 (July 26, 1965 to December 24, 1968, inmate #25367), and earlier that, he was in the United states Navy (Dec 1964 to February 1965).[36] Half dozen weeks after his release from Great Meadow, on February fourteen, 1969, he was re-arrested in Baton Rouge, Louisiana. He was jailed locally, and in June 1969, he was bedevilled of stealing from a local family and small business in Baton Rouge.[4] [37] Abagnale did dress equally a Pan American Airlines pilot for a brief period in the autumn of 1970. He was arrested in Cobb County, Georgia on Nov 2, 1970. Federal courtroom records associated with his conviction show he cashed but x personal checks dressed up with a Pan American Airlines logo, totalling less than $i,500 USD. The facts backside many of Abagnale's exaggerated claims, and their inclusion or omission from the moving picture, take been the subject of media reporting in 2021.[38] [39] His merits that he passed the Louisiana bar exam and worked for Attorney Full general Jack P. F. Gremillion was debunked past several journalists in 1978.[twoscore] [41] Journalist Ira Perry was unable to find any evidence that Abagnale worked with the FBI; co-ordinate to one retired FBI Special agent in charge, Abagnale was caught trying to pass personal checks in 1978 several years after he claimed that he began working with the FBI.[41]

Themes [edit]

Take hold of Me if Y'all Tin deals with themes of broken homes and troubled childhoods. Spielberg's parents divorced when he was a teenager, like to Frank Abagnale's situation. In the picture show, Carl Hanratty is also divorced from his wife, who lives with their daughter in Chicago. "Some of my films take had to do with broken homes and people on the run from their lamentable pasts," Spielberg stated.

Merely there are those strands that got me to say: you lot know, there'south something besides about me that I can say through the telling of this kind of lighthearted story.[32]

Spielberg also wanted to create a picture show that sympathized with a crook. He explained,

Frank was a 21st century genius working inside the innocence of the mid '60s, when people were more trusting than they are now. I don't think this is the kind of motion-picture show where somebody could say, 'I accept a career program.'[32]

Release [edit]

I know that Hollywood has made a number of changes to the story, but I am honored that Steven Spielberg, Leonardo DiCaprio and Tom Hanks participated in the making of the picture inspired by my life. It is important to understand that it is but a motion-picture show, not a biographical documentary.

—Frank Abagnale's reaction to the film[viii]

DreamWorks was careful to marketplace the film equally "inspired by a true story" to avoid controversy similar to that surrounding A Beautiful Listen (2001) and The Hurricane (1999), both of which deviated from history.[32] The premiere took place at Westwood, Los Angeles, California, on December eighteen, 2002.[42]

Game Show Network has aired the 1977 episode of the television game show To Tell the Truth that featured Frank Abagnale. Segments were shown on December 29, 2002, and January 1, 2003, as promotion.[43]

Home media [edit]

Grab Me If You Tin can was released on DVD and VHS on May half dozen, 2003.[44] Information technology included special features including never-before-seen footage by director Steven Spielberg as well as interviews.[45] [44] A Blu-ray version was released on December 4, 2012.[46]

Reception [edit]

Box role [edit]

Grab Me If Yous Tin was released on December 25, 2002, earning slightly above $xxx million in three,225 theaters during its opening weekend, in second place behind The Lord of the Rings: The 2 Towers. The motion-picture show went on to gross $164.6 million in North America and $187.5 meg in foreign countries, with a worldwide total of $352.one million. The motion picture was a financial success, recouping the $52 1000000 upkeep seven times over.[two] Catch Me If You Can was the eleventh highest-grossing film of 2002; Minority Report, also a Spielberg film, was the tenth highest.[47]

Critical response [edit]

On Rotten Tomatoes, Catch Me If You Can has a "certified fresh" rating of 96% based on 203 reviews, with an average rating of 7.90/10. The site's critical consensus reads: "With help from a potent performance by Leonardo DiCaprio every bit existent-life wunderkind con artist Frank Abagnale, Steven Spielberg crafts a film that'south stylish, breezily entertaining, and surprisingly sweetness."[48] On Metacritic, the film has a score of 75 out of 100, based on 39 critics, indicating "by and large favorable reviews".[49] Audiences polled by CinemaScore gave the pic an boilerplate class of "A-" on an A+ to F scale.[fifty]

Roger Ebert heavily praised DiCaprio'southward functioning, and ended "This is not a major Spielberg film, although information technology is an effortlessly watchable i."[51] Mick LaSalle said it was "not Spielberg's best movie, but 1 of his smoothest and peradventure his friendliest. The colorful cinematography, smart performances and brisk tempo suggest a filmmaker subordinating every other impulse to the job of manufacturing pleasance."[52] Stephen Hunter believed DiCaprio shows "the range and ease and cleverness that Martin Scorsese so underutilized in Gangs of New York."[53]

James Berardinelli observed, "Take hold of Me if Yous Can never takes itself or its subjects likewise seriously, and contains more genuinely funny material than near ninety% of the so-called 'comedies' found in multiplexes these days." Berardinelli praised John Williams' film score, which he felt was "more intimate and jazzy than his usual material, evoking (intentionally) Henry Mancini."[54] Peter Travers was one of few who gave the film a negative review; he considered the film to be "bogged down over 140 minutes. A picture show that took off like a hare on speed ends like a winded tortoise."[55]

Accolades [edit]

At the 75th University Awards, Christopher Walken and John Williams were nominated for All-time Supporting Actor and All-time Original Score.[half-dozen] Walken won the same category at the 56th British Academy Pic Awards, while Williams, costume designer Mary Zophres and screenwriter Jeff Nathanson received nominations.[56] DiCaprio was nominated for the Gilded Globe Laurels for Best Player in a Motion Picture – Drama.[57] Williams too earned a Grammy Laurels nomination.[58] Elements of the picture show were later parodied in The Simpsons episode "Grab 'Em If You Can".[59]

Musical adaptation [edit]

A musical accommodation of the same proper name premiered at the 5th Artery Theatre in Seattle, Washington in July 2009, starring Aaron Tveit and Norbert Leo Butz.[60] Information technology began previews on Broadway at the Neil Simon Theatre on March xi, 2011 and officially opened April 10, 2011.[61] [62] The musical was nominated for four Tony Awards, including Best Musical.[63]

See as well [edit]

  • The Keen Impostor, a 1961 moving picture based on the story of an impostor named Ferdinand Waldo Demara
  • The Pretender, a TV serial
  • VIPs, a 2010 movie based on the story of Brazilian businessman, consultant, speaker, and old embezzler, Marcelo Nascimento Rocha

References [edit]

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  58. ^ "Grammy Awards: 2003". Internet Picture Database. Archived from the original on January half dozen, 2007. Retrieved July 3, 2008.
  59. ^ Matthew Nastuk, Ian Maxtone-Graham (Apr 25, 2004). "Catch 'Em if Y'all Can". The Simpsons. Flavour fifteen. Episode 331. Fox Broadcasting Visitor.
  60. ^ Hetrick, Adam. Broadway-Aimed "Take hold of Me If You lot Can Ends Seattle Premiere Run Aug. sixteen" Archived August 19, 2009, at the Wayback Auto. Playbill. August 16, 2009. Retrieved 2011-11-17.
  61. ^ "Catch ME IF YOU CAN to Open up on Broadway April 10; Previews March vii, 2011" Archived October seven, 2012, at the Wayback Car. BroadwayWorld.com. Retrieved October 17, 2011.
  62. ^ "Catch Me If You Tin Books Broadway's Neil Simon Theatre" Archived September 26, 2013, at the Wayback Automobile. Playbill. Retrieved October 17, 2011.
  63. ^ "2011 Tony Nominations Appear; Book of Mormon Earns 14 Nominations" Archived September 14, 2011, at the Wayback Machine. Playbill. Retrieved October 17, 2011.
  • Frank Abagnale Jr. and Stan Redding. Catch Me If You lot Can: The Amazing Truthful Story of the Youngest and Most Daring Con Man in the History of Fun and Turn a profit. (ISBN 0-06-052971-7).

External links [edit]

  • Catch Me If You Tin at IMDb
  • Catch Me If You Tin at AllMovie
  • Grab Me If You Can at the TCM Flick Database
  • Take hold of Me If You Can at the American Film Constitute Catalog
  • Catch Me If Yous Can at Box Function Mojo
  • Catch Me If Yous Can at Rotten Tomatoes
  • Catch Me If You Can at Metacritic Edit this at Wikidata
  • An Interview with Leonardo DiCaprio - Movies Characteristic at IGN

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Source: https://en.wikipedia.org/wiki/Catch_Me_If_You_Can

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